Have a look at the impressive black and white portraits full of emotion by Lee Jeffries. “Lee Jeffries lives in Manchester in the United Kingdom.
Images on Flikr
Based in South West London KDIG seeks to help, support and inspire all involved in digital photography. Unlike traditional camera clubs the KDIG does not have a formal structure of chairman, officers, and committee. By using the internet the group is flexible and adaptable to people’s modern and busy life styles.
Yahoo groups, blogger and Flickr provide the tools by which the group will share photographs and discuss photography. Meet-ups are encouraged e.g. an evening in a local pub to discuss photography over a pint and a bite or a photography trip to London or elsewhere. Group activities include setting members photographic challenges and assignments.
Monday, 23 January 2012
Tuesday, 10 January 2012
Lightroom 4 public beta is now available
Lightroom 4
New Features in Lightroom 4 Beta
- Highlight and shadow recovery brings out all the detail that your camera captures in dark shadows and bright highlights.
- Photo book creation with easy-to-use elegant templates.
- Location-based organization lets you find and group images by location, assign locations to images, and display data from GPS-enabled cameras.
- White balance brush to refine and adjust white balance in specific areas of your images.
- Additional local editing controls let you adjust noise reduction and remove moiré in targeted areas of your images.
- Extended video support for organizing, viewing, and making adjustments and edits to video clips.
- Easy video publishing lets you edit and share video clips on Facebook and Flickr®.
- Soft proofing to preview how an image will look when printed with color-managed printers.
- Email directly from Lightroom using the email account of your choice.
Friday, 6 January 2012
The Observer New Review's monthly guide to the 20 best photographic exhibitions and books
The Observer New Review's monthly guide to the 20 best photographic exhibitions and books, featuring Pieter Hugo, Eve Arnold, William Eggleston, Don McCullin and Annie Leibovitz
slideshow; click on 'captions' for information on the photographs; pause and click on the links in the captions to be directed to relevant websites. Best viewed in full screen
slideshow; click on 'captions' for information on the photographs; pause and click on the links in the captions to be directed to relevant websites. Best viewed in full screen
Saturday, 31 December 2011
Photographs are connected to the physical world
An interesting and thought provoking video from the Guardian
Errol Morris: 'We've forgotten that photographs are connected to the physical world' - video
Writer and Oscar-winning documentary maker Errol Morris talks about the nature of truth, art and propaganda in photography. Drawing examples from the photographs of Abu Ghraib and the Crimean war, cited in his book Believing is Seeing, he argues we've often underplayed the link between photgraphs and the physical world
Tuesday, 27 December 2011
Post-processing in the digital age: Photojournalists and 10b Photography
From the British Journal of Photography
10b Photography has established itself as one of the world’s leading digital darkrooms, handling post-production for scores of award-winning photojournalists who trust that the company knows where to draw the line between processing and manipulation. Olivier Laurent meets the founders.
Post-Producer
10b is a digital darkroom and, for all intents and purposes, works similarly to an old-fashioned darkroom. "The recent introduction of the raw shooting format has enabled digital photography to share a very similar workflow than with analogue photography," says 10b on its website. "Just like a negative, a raw file cannot be printed the way it is and needs to be ‘developed' first. Contrast, saturation and hue, for example, have to be set during the editing process. This step takes the name of ‘raw conversion' and, with the exception of chemicals, it resembles the developing process of a film."
continue reading article
10b Photography has established itself as one of the world’s leading digital darkrooms, handling post-production for scores of award-winning photojournalists who trust that the company knows where to draw the line between processing and manipulation. Olivier Laurent meets the founders.
Post-Producer
10b is a digital darkroom and, for all intents and purposes, works similarly to an old-fashioned darkroom. "The recent introduction of the raw shooting format has enabled digital photography to share a very similar workflow than with analogue photography," says 10b on its website. "Just like a negative, a raw file cannot be printed the way it is and needs to be ‘developed' first. Contrast, saturation and hue, for example, have to be set during the editing process. This step takes the name of ‘raw conversion' and, with the exception of chemicals, it resembles the developing process of a film."
continue reading article
Sunday, 4 December 2011
iPhone 4S v pro camera - in pictures
From the Guardian
"iPhone 4S v pro camera - in pictures
Recently Annie Leibovitz recommended the new iPhone 4S as "the snapshot camera of today". Photographer Katherine Rose put the phone's camera through its paces to see how it would fare in comparison with the Canon 5D mkii she uses profesionally"
Saturday, 3 December 2011
Top tips: Photographing your area
From the Guardian
Photographer Alicia Canter gives her top tips on how to take pictures of your local area
"Plan
Photographer Alicia Canter gives her top tips on how to take pictures of your local area
"Plan
Plan your trip before you go out, is there somewhere in particular that would make good photos? Think about what your area is about and what kind of things could represent that visually. Make a list and prepare!
Time of day
Think about the time of day that you want to shoot your area in, would it be more atmospheric at night with Christmas lights and reflections in the shop windows? Or is it more alive in the day or at the weekend? You can always include a mixture. Think about it as though you're shooting for a glossy magazine or a feature about the place where you live.
Think about the time of day that you want to shoot your area in, would it be more atmospheric at night with Christmas lights and reflections in the shop windows? Or is it more alive in the day or at the weekend? You can always include a mixture. Think about it as though you're shooting for a glossy magazine or a feature about the place where you live.
Equipment
If shooting at night remember to take a tripod – and a flash if you're going to do close-ups. Think about the kind of lens you will need too, I used a 100 for close-ups and a 16-35mm wide angle for the general shots.
If shooting at night remember to take a tripod – and a flash if you're going to do close-ups. Think about the kind of lens you will need too, I used a 100 for close-ups and a 16-35mm wide angle for the general shots.
Talk to people
People are a valuable insight for the viewer – it's important to include some human presence in the pictures. If you live near a market and want to photograph the stallholders, or want to take pictures of people drinking coffee outside cafes, ask them first – people will usually say yes.
People are a valuable insight for the viewer – it's important to include some human presence in the pictures. If you live near a market and want to photograph the stallholders, or want to take pictures of people drinking coffee outside cafes, ask them first – people will usually say yes.
Focus in
You could focus on just one part of your area if it's diverse enough to create a six-picture story.
You could focus on just one part of your area if it's diverse enough to create a six-picture story.
Capturing movement
This conveys the feeling of a busy environment. Remember to take a tripod, use a slow shutter speed and be patient when you've set up your shot – it won't happen instantly.
This conveys the feeling of a busy environment. Remember to take a tripod, use a slow shutter speed and be patient when you've set up your shot – it won't happen instantly.
Dynamic
Think about how to make your pictures interesting. Try different angles, use the environment (railings, cobbled streets, etc) to help lead the viewer's eye into the picture.
Think about how to make your pictures interesting. Try different angles, use the environment (railings, cobbled streets, etc) to help lead the viewer's eye into the picture.
Go back
If you don't think your set is finished after your first outing, don't be afraid to go back again. This is good practice and allows you time to reflect on your pictures and improve them – you have a whole month to get the assignment right, don't be afraid to use it.
If you don't think your set is finished after your first outing, don't be afraid to go back again. This is good practice and allows you time to reflect on your pictures and improve them – you have a whole month to get the assignment right, don't be afraid to use it.
Adding glamour
If you want your pictures to show the best possible (and slightly more glamorous!) view of your area, post production is important. You can adjust your levels and curves to bring the contrast up, and oversaturate the images slightly. Burning in the edges of your pictures to help the draw the viewer in to it. All of these are things that could've been done in the darkroom.
If you want your pictures to show the best possible (and slightly more glamorous!) view of your area, post production is important. You can adjust your levels and curves to bring the contrast up, and oversaturate the images slightly. Burning in the edges of your pictures to help the draw the viewer in to it. All of these are things that could've been done in the darkroom.
Timeless
Try to make your pictures timeless, good stock or travel photographyshould be useful all year round and have a long shelf-life."
Try to make your pictures timeless, good stock or travel photographyshould be useful all year round and have a long shelf-life."
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